The old dignitary blushed a little, and murmured that the prince had better not excite himself further.
“Why, he didn’t die! I’ll ask him for it, if you like.”
“Bravo!” said Ferdishenko. Ptitsin laughed too, though he had been very sorry to see the general appear. Even Colia laughed and said, “Bravo!”
“Before I reached home I was met and summoned to the major’s, so that it was some while before I actually got there. When I came in, Nikifor met me. ‘Have you heard, sir, that our old lady is dead?’ ‘_dead_, when?’ ‘Oh, an hour and a half ago.’ That meant nothing more nor less than that she was dying at the moment when I pounced on her and began abusing her.

“Why so?” asked the prince uneasily.

“Oh, that’s not in _my_ province! I believe she receives at any time; it depends upon the visitors. The dressmaker goes in at eleven. Gavrila Ardalionovitch is allowed much earlier than other people, too; he is even admitted to early lunch now and then.”

“Such beauty is real power,” said Adelaida. “With such beauty as that one might overthrow the world.” She returned to her easel thoughtfully.

“Enough,” cried Lizabetha Prokofievna abruptly, trembling with anger, “we have had enough of this balderdash!”
To the amazement of the prince, who overheard the remark, Aglaya looked haughtily and inquiringly at the questioner, as though she would give him to know, once for all, that there could be no talk between them about the ‘poor knight,’ and that she did not understand his question.
In the first place he began about some letter; the name of Aglaya Ivanovna came in. Then suddenly he broke off and began to accuse the prince of something; he was apparently offended with him. At first he declared that the prince had trusted him with his confidences as to “a certain person” (Nastasia Philipovna), but that of late his friendship had been thrust back into his bosom, and his innocent question as to “approaching family changes” had been curtly put aside, which Lebedeff declared, with tipsy tears, he could not bear; especially as he knew so much already both from Rogojin and Nastasia Philipovna and her friend, and from Varvara Ardalionovna, and even from Aglaya Ivanovna, through his daughter Vera. “And who told Lizabetha Prokofievna something in secret, by letter? Who told her all about the movements of a certain person called Nastasia Philipovna? Who was the anonymous person, eh? Tell me!”
Among our suburban resorts there are some which enjoy a specially high reputation for respectability and fashion; but the most careful individual is not absolutely exempt from the danger of a tile falling suddenly upon his head from his neighbour’s roof.
The prince rang the bell, and asked for Nastasia Philipovna. The lady of the house came out, and stated that Nastasia had gone to stay with Daria Alexeyevna at Pavlofsk, and might be there some days.

At this idea, he burst out laughing all at once, in quite unaffected mirth, and without giving any explanation.

“At the table stood a man in his shirt sleeves; he had thrown off his coat; it lay upon the bed; and he was unfolding a blue paper parcel in which were a couple of pounds of bread, and some little sausages.
“The Abbot Pafnute lived in the fourteenth century,” began the prince; “he was in charge of one of the monasteries on the Volga, about where our present Kostroma government lies. He went to Oreol and helped in the great matters then going on in the religious world; he signed an edict there, and I have seen a print of his signature; it struck me, so I copied it. When the general asked me, in his study, to write something for him, to show my handwriting, I wrote ‘The Abbot Pafnute signed this,’ in the exact handwriting of the abbot. The general liked it very much, and that’s why he recalled it just now.”
“Absolutely, your excellency,” said Lebedeff, without the least hesitation.
“Indeed? She looks very sweet. I should like to make her acquaintance.”
“Water or the knife?” said the latter, at last. “Ha, ha--that’s exactly why she is going to marry me, because she knows for certain that the knife awaits her. Prince, can it be that you don’t even yet see what’s at the root of it all?”
“It’s a most improbable story.”
Nina Alexandrovna’s question betrayed intense annoyance. Gania waited a moment and then said, without taking the trouble to conceal the irony of his tone:
“Oh dear no, it’s all a joke. No more cousin than I am.”
“I certainly thought they invited you with quite other views.”
“I knew it, but I have a right. I... I...” stammered the “son of Pavlicheff.”

“I don’t think we have a copy of Pushkin in the house.”

“But, you wretched man, at least she must have said something? There must be _some_ answer from her!”
He hesitated no longer; but opened the glazed door at the bottom of the outer stairs and made his way up to the second storey. The place was dark and gloomy-looking; the walls of the stone staircase were painted a dull red. Rogojin and his mother and brother occupied the whole of the second floor. The servant who opened the door to Muishkin led him, without taking his name, through several rooms and up and down many steps until they arrived at a door, where he knocked.
This same morning dawned for the prince pregnant with no less painful presentiments,--which fact his physical state was, of course, quite enough to account for; but he was so indefinably melancholy,--his sadness could not attach itself to anything in particular, and this tormented him more than anything else. Of course certain facts stood before him, clear and painful, but his sadness went beyond all that he could remember or imagine; he realized that he was powerless to console himself unaided. Little by little he began to develop the expectation that this day something important, something decisive, was to happen to him.
“That is so,” observed Lebedeff quietly; “cowardly and base.”

“I will say you are quite wrong, if you wish.”

“And I have heard of _you_,” continued the prince, addressing Ivan Petrovitch, “that when some of your villagers were burned out you gave them wood to build up their houses again, though they were no longer your serfs and had behaved badly towards you.”

“Don’t listen to her, prince,” said Mrs. Epanchin; “she says that sort of thing out of mischief. Don’t think anything of their nonsense, it means nothing. They love to chaff, but they like you. I can see it in their faces--I know their faces.”

Alexandra now joined in, and it looked as though the three sisters were going to laugh on for ever.

“Well--it’s all most strange to me. That is--my dear fellow, it is such a surprise--such a blow--that... You see, it is not your financial position (though I should not object if you were a bit richer)--I am thinking of my daughter’s happiness, of course, and the thing is--are you able to give her the happiness she deserves? And then--is all this a joke on her part, or is she in earnest? I don’t mean on your side, but on hers.”
“This is how it was: I had wished to do something for Marie; I longed to give her some money, but I never had a farthing while I was there. But I had a little diamond pin, and this I sold to a travelling pedlar; he gave me eight francs for it--it was worth at least forty. “She’s mad--she’s mad!” was the cry. “A hundred thousand,” replied the latter, almost in a whisper.
“Oh, don’t you begin bantering him,” said mamma. “He is probably a good deal cleverer than all three of you girls put together. We shall see. Only you haven’t told us anything about Aglaya yet, prince; and Aglaya and I are both waiting to hear.”
“But I really don’t know which of my actions is the worst,” said the lively actress.
The prince’s further fate was more or less decided by Colia, who selected, out of all the persons he had met during the last six or seven months, Evgenie Pavlovitch, as friend and confidant. To him he made over all that he knew as to the events above recorded, and as to the present condition of the prince. He was not far wrong in his choice. Evgenie Pavlovitch took the deepest interest in the fate of the unfortunate “idiot,” and, thanks to his influence, the prince found himself once more with Dr. Schneider, in Switzerland.
“It is perhaps true, gentlemen,” said the prince, quietly. He had been listening in silence up to that moment without taking part in the conversation, but laughing heartily with the others from time to time. Evidently he was delighted to see that everybody was amused, that everybody was talking at once, and even that everybody was drinking. It seemed as if he were not intending to speak at all, when suddenly he intervened in such a serious voice that everyone looked at him with interest. “Thanks; very well. Then I suppose it’s Ferdishenko; that is, I mean, you suspect Ferdishenko?”
“Oh, what a dreadful calamity! A wretched vase smashed, and a man half dead with remorse about it,” said Lizabetha Prokofievna, loudly. “What made you so dreadfully startled, Lef Nicolaievitch?” she added, a little timidly. “Come, my dear boy! cheer up. You really alarm me, taking the accident so to heart.”
“Don’t go after him just now, Colia, or he’ll be vexed, and the benefit of this moment will be lost!” said the prince, as the boy was hurrying out of the room.
“Directly! There, that’s enough. I’ll lie down directly. I must drink to the sun’s health. I wish to--I insist upon it! Let go!”
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.
“Old story? No! Heaven knows what’s up now--I don’t! Father has simply gone mad; mother’s in floods of tears. Upon my word, Varia, I must kick him out of the house; or else go myself,” he added, probably remembering that he could not well turn people out of a house which was not his own.