| “Gania, Gania, reflect!” cried his mother, hurriedly. |
| “But, my goodness me,” laughed Ivan Petrovitch, “why can’t I be cousin to even a splendid man?” |
The lodgers had disappeared very quickly--Ferdishenko soon after the events at Nastasia Philipovna’s, while the prince went to Moscow, as we know. Gania and his mother went to live with Varia and Ptitsin immediately after the latter’s wedding, while the general was housed in a debtor’s prison by reason of certain IOU’s given to the captain’s widow under the impression that they would never be formally used against him. This unkind action much surprised poor Ardalion Alexandrovitch, the victim, as he called himself, of an “unbounded trust in the nobility of the human heart.”
“Oh, but it is absolutely necessary for me,” Gania entreated. “Believe me, if it were not so, I would not ask you; how else am I to get it to her? It is most important, dreadfully important!”
At the words “one can’t get rid of him,” Colia was very angry, and nearly flew into a rage; but he resolved to be quiet for the time and show his resentment later. If the words had been less offensive he might have forgiven them, so pleased was he to see Lizabetha Prokofievna worried and anxious about the prince’s illness.Hippolyte flushed hotly. He had thought at first that the prince was “humbugging” him; but on looking at his face he saw that he was absolutely serious, and had no thought of any deception. Hippolyte beamed with gratification.
“_Au revoir!_ I shall amuse them all with this story tomorrow!” “Yes--yes--yes--” The prince jumped up in extraordinary agitation. “I know, I know, I’ve read of that sort of thing--it’s internal haemorrhage, you know. Sometimes there isn’t a drop--if the blow goes straight to the heart--”| “DEAR COLIA,--Please be so kind as to give the enclosed sealed letter to Aglaya Ivanovna. Keep well--Ever your loving, |
| He tried to get upon his feet again, but the old man still restrained him, gazing at him with increasing perturbation as he went on. |
“So this is Nastasia Philipovna,” he said, looking attentively and curiously at the portrait. “How wonderfully beautiful!” he immediately added, with warmth. The picture was certainly that of an unusually lovely woman. She was photographed in a black silk dress of simple design, her hair was evidently dark and plainly arranged, her eyes were deep and thoughtful, the expression of her face passionate, but proud. She was rather thin, perhaps, and a little pale. Both Gania and the general gazed at the prince in amazement.
| “Gania, don’t be a fool! I tell you for the last time.” |
“If you insist: but, judge for yourself, can I go, ought I to go?”
Lizabetha Prokofievna frowned, but had not as yet grasped the subject, which seemed to have arisen out of a heated argument. Aglaya sat apart, almost in the corner, listening in stubborn silence.
“I say that I have but to open my mouth, and you--”
| “She is worthy of sympathy? Is that what you wished to say, my good fellow? But then, for the mere sake of vindicating her worthiness of sympathy, you should not have insulted and offended a noble and generous girl in her presence! This is a terrible exaggeration of sympathy! How can you love a girl, and yet so humiliate her as to throw her over for the sake of another woman, before the very eyes of that other woman, when you have already made her a formal proposal of marriage? And you _did_ propose to her, you know; you did so before her parents and sisters. Can you be an honest man, prince, if you act so? I ask you! And did you not deceive that beautiful girl when you assured her of your love?” |
| She went on her knees before him--there in the open road--like a madwoman. He retreated a step, but she caught his hand and kissed it, and, just as in his dream, the tears were sparkling on her long, beautiful lashes. |
“I don’t know--perhaps--by morning it will be.”
| “I received your letter, Lef Nicolaievitch--what’s the good of all that?--It’s no use, you know. I’ve come to you from _her_,--she bade me tell you that she must see you, she has something to say to you. She told me to find you today.” |
“Yes, my boy. I wish to present him: General Ivolgin and Prince Muishkin! But what’s the matter?... what?... How is Marfa Borisovna?”
“This is your doing, prince,” said Gania, turning on the latter so soon as the others were all out of the room. “This is your doing, sir! _You_ have been telling them that I am going to be married!” He said this in a hurried whisper, his eyes flashing with rage and his face ablaze. “You shameless tattler!”
Aglaya began to flush up.
| “You never know the day of the week; what’s the day of the month?” |
“That is exactly the word I wanted,” said the general with satisfaction--“a curiosity. However, the most astonishing and, if I may so express myself, the most painful, thing in this matter, is that you cannot even understand, young man, that Lizabetha Prokofievna, only stayed with you because you are ill,--if you really are dying--moved by the pity awakened by your plaintive appeal, and that her name, character, and social position place her above all risk of contamination. Lizabetha Prokofievna!” he continued, now crimson with rage, “if you are coming, we will say goodnight to the prince, and--”
| “Why, goodness me, don’t you know?” Varia stopped short. |
| “Not railways, properly speaking, presumptuous youth, but the general tendency of which railways may be considered as the outward expression and symbol. We hurry and push and hustle, for the good of humanity! ‘The world is becoming too noisy, too commercial!’ groans some solitary thinker. ‘Undoubtedly it is, but the noise of waggons bearing bread to starving humanity is of more value than tranquillity of soul,’ replies another triumphantly, and passes on with an air of pride. As for me, I don’t believe in these waggons bringing bread to humanity. For, founded on no moral principle, these may well, even in the act of carrying bread to humanity, coldly exclude a considerable portion of humanity from enjoying it; that has been seen more than once.” |
“The Abbot Pafnute lived in the fourteenth century,” began the prince; “he was in charge of one of the monasteries on the Volga, about where our present Kostroma government lies. He went to Oreol and helped in the great matters then going on in the religious world; he signed an edict there, and I have seen a print of his signature; it struck me, so I copied it. When the general asked me, in his study, to write something for him, to show my handwriting, I wrote ‘The Abbot Pafnute signed this,’ in the exact handwriting of the abbot. The general liked it very much, and that’s why he recalled it just now.”
“What do you mean by ‘arrangements’?”| The general laughed with great satisfaction, and applied himself once more to the champagne. |
“What are you grinning at my father’s portrait again for?” asked Rogojin, suddenly. He was carefully observing every change in the expression of the prince’s face.
“What else?”Rogojin asked his question like a lost soul appealing to some divinity, with the reckless daring of one appointed to die, who has nothing to lose.
| “Oh, but I should like to see it!” said Adelaida; “and I don’t know _when_ we shall ever go abroad. I’ve been two years looking out for a good subject for a picture. I’ve done all I know. ‘The North and South I know by heart,’ as our poet observes. Do help me to a subject, prince.” |
“No; a bundle--your brother has just gone to the hall for it.”
“I shan’t ever be a Rothschild, and there is no reason why I should,” he added, smiling; “but I shall have a house in the Liteynaya, perhaps two, and that will be enough for me.” “Who knows but what I may have three!” he concluded to himself; but this dream, cherished inwardly, he never confided to a soul.
Yet Aglaya had brought out these letters N. P. B. not only without the slightest appearance of irony, or even any particular accentuation, but with so even and unbroken an appearance of seriousness that assuredly anyone might have supposed that these initials were the original ones written in the ballad. The thing made an uncomfortable impression upon the prince. Of course Mrs. Epanchin saw nothing either in the change of initials or in the insinuation embodied therein. General Epanchin only knew that there was a recitation of verses going on, and took no further interest in the matter. Of the rest of the audience, many had understood the allusion and wondered both at the daring of the lady and at the motive underlying it, but tried to show no sign of their feelings. But Evgenie Pavlovitch (as the prince was ready to wager) both comprehended and tried his best to show that he comprehended; his smile was too mocking to leave any doubt on that point.
“Of course not--of course not!--bah! The criminal was a fine intelligent fearless man; Le Gros was his name; and I may tell you--believe it or not, as you like--that when that man stepped upon the scaffold he _cried_, he did indeed,--he was as white as a bit of paper. Isn’t it a dreadful idea that he should have cried--cried! Whoever heard of a grown man crying from fear--not a child, but a man who never had cried before--a grown man of forty-five years. Imagine what must have been going on in that man’s mind at such a moment; what dreadful convulsions his whole spirit must have endured; it is an outrage on the soul that’s what it is. Because it is said ‘thou shalt not kill,’ is he to be killed because he murdered some one else? No, it is not right, it’s an impossible theory. I assure you, I saw the sight a month ago and it’s dancing before my eyes to this moment. I dream of it, often.”| He pulled out a pack of cards, wrapped in a bit of paper, from his pocket, and handed them to the prince. The latter took them, with a sort of perplexity. A new, sad, helpless feeling weighed on his heart; he had suddenly realized that not only at this moment, but for a long while, he had not been saying what he wanted to say, had not been acting as he wanted to act; and that these cards which he held in his hand, and which he had been so delighted to have at first, were now of no use--no use... He rose, and wrung his hands. Rogojin lay motionless, and seemed neither to hear nor see his movements; but his eyes blazed in the darkness, and were fixed in a wild stare. |
| “The face was depicted as though still suffering; as though the body, only just dead, was still almost quivering with agony. The picture was one of pure nature, for the face was not beautified by the artist, but was left as it would naturally be, whosoever the sufferer, after such anguish. |