“Yes, and I heard that you were here, too,” added Evgenie Pavlovitch; “and since I had long promised myself the pleasure of seeking not only your acquaintance but your friendship, I did not wish to waste time, but came straight on. I am sorry to hear that you are unwell.”

“That may be! Perhaps you didn’t _come_ with the idea, but the idea is certainly there _now!_ Ha, ha! well, that’s enough! What are you upset about? Didn’t you really know it all before? You astonish me!”

“Well, where are we to go to now, father?” he asked. “You don’t want to go to the prince’s; you have quarrelled with Lebedeff; you have no money; I never have any; and here we are in the middle of the road, in a nice sort of mess.”

“Do you think yourself my master, that you try to keep me under lock and key like this?” said the prince to Lebedeff. “In the country, at least, I intend to be free, and you may make up your mind that I mean to see whom I like, and go where I please.”
It was about Easter, when, taking advantage of a momentary tête-à-tête Colia handed Aglaya a letter, remarking that he “had orders to deliver it to her privately.” She stared at him in amazement, but he did not wait to hear what she had to say, and went out. Aglaya broke the seal, and read as follows:

“Oh, that may be. He may have known her some time ago--two or three years, at least. He used to know Totski. But it is impossible that there should be any intimacy between them. She has not even been in the place--many people don’t even know that she has returned from Moscow! I have only observed her carriage about for the last three days or so.”

“Do you know, I like you very much indeed, prince? I shall never forget about this afternoon.”
She fell back into a chair, and burst into tears. But suddenly some new expression blazed in her eyes. She stared fixedly at Aglaya, and rose from her seat.

“But it’s not I alone,” cried Colia. “They all talked about it, and they do still. Why, just now Prince S. and Adelaida Ivanovna declared that they upheld ‘the poor knight’; so evidently there does exist a ‘poor knight’; and if it were not for Adelaida Ivanovna, we should have known long ago who the ‘poor knight’ was.”

“I knew nothing about your home before,” said the prince absently, as if he were thinking of something else.
“Religion!--I admit eternal life--and perhaps I always did admit it.
“There is much suffering in this face,” murmured the prince, more as though talking to himself than answering the question.

“What help do you want from me? You may be certain that I am most anxious to understand you, Lebedeff.”

“Nastasia Philipovna,” he began, and there paused; he was clearly much agitated and annoyed. The prince reminded him of the portrait.

She certainly did seem to be serious enough. She had flushed up all over and her eyes were blazing.
“Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people.

“Prince, I wish to place myself in a respectable position--I wish to esteem myself--and to--”

“There is much that might be improved in him,” said the prince, moderately, “but he has some qualities which--though amid them one cannot but discern a cunning nature--reveal what is often a diverting intellect.”

“But whatever she may say, remember that she does not believe it herself,--remember that she will believe nothing but that she is a guilty creature.

“This gentleman declares, Gavrila Ardalionovitch,” began the man, confidentially and almost familiarly, “that he is Prince Muishkin and a relative of Madame Epanchin’s. He has just arrived from abroad, with nothing but a bundle by way of luggage--.” But it was more serious than he wished to think. As soon as the visitors had crossed the low dark hall, and entered the narrow reception-room, furnished with half a dozen cane chairs, and two small card-tables, Madame Terentieff, in the shrill tones habitual to her, continued her stream of invectives.

“‘Lumen caeli, sancta Rosa!’ Shouting on the foe he fell, And like thunder rang his war-cry O’er the cowering infidel.

“Very sorry; but in point of fact, you know, it was all nonsense and would have ended in smoke, as usual--I’m sure of that. Last year,”--he turned to the old man again,--“Countess K. joined some Roman Convent abroad. Our people never seem to be able to offer any resistance so soon as they get into the hands of these--intriguers--especially abroad.”

At this moment Vera came up to Lizabetha Prokofievna, carrying several large and beautifully bound books, apparently quite new.

At last they left the house behind them, the prince carrying his bundle.
At about half-past seven the prince started for the church in his carriage.
The prince began to be a little incredulous.
“Yes, very much.”
“Sit down,” said Rogojin; “let’s rest a bit.” There was silence for a moment.
XVI.
“What! I tell stories, do I? It is true! I gave him my promise a couple of days ago on this very seat.”
“Oh, that may be. He may have known her some time ago--two or three years, at least. He used to know Totski. But it is impossible that there should be any intimacy between them. She has not even been in the place--many people don’t even know that she has returned from Moscow! I have only observed her carriage about for the last three days or so.”
Undoubtedly the fact that he might now come and see Aglaya as much as he pleased again was quite enough to make him perfectly happy; that he might come and speak to her, and see her, and sit by her, and walk with her--who knows, but that all this was quite enough to satisfy him for the whole of his life, and that he would desire no more to the end of time?
“Only because I seem to be giving you a lecture, all the time!”
“Nastasia Philipovna?” said the clerk, as though trying to think out something.
“I did not come to marry at all,” replied the prince.
“I know, I heard; the china vase caught it! I’m sorry I wasn’t there. I’ve come about something important. In the first place I had, the pleasure of seeing Gavrila Ardalionovitch and Aglaya Ivanovna enjoying a rendezvous on the green bench in the park. I was astonished to see what a fool a man can look. I remarked upon the fact to Aglaya Ivanovna when he had gone. I don’t think anything ever surprises you, prince!” added Hippolyte, gazing incredulously at the prince’s calm demeanour. “To be astonished by nothing is a sign, they say, of a great intellect. In my opinion it would serve equally well as a sign of great foolishness. I am not hinting about you; pardon me! I am very unfortunate today in my expressions.”
“Send Feodor or Alexey up by the very first train to buy a copy, then.--Aglaya, come here--kiss me, dear, you recited beautifully! but,” she added in a whisper, “if you were sincere I am sorry for you. If it was a joke, I do not approve of the feelings which prompted you to do it, and in any case you would have done far better not to recite it at all. Do you understand?--Now come along, young woman; we’ve sat here too long. I’ll speak to you about this another time.”

“Good God!” exclaimed Lizabetha Prokofievna involuntarily.

Vera came in three minutes after the Epanchins had left. “Lef Nicolaievitch,” she said, “Aglaya Ivanovna has just given me a message for you.”

Meanwhile the prince took the opportunity of greeting General Epanchin, and the general introduced Evgenie Pavlovitch to him.

But Lizabetha Prokofievna felt somewhat consoled when she could say that one of her girls, Adelaida, was settled at last. “It will be one off our hands!” she declared aloud, though in private she expressed herself with greater tenderness. The engagement was both happy and suitable, and was therefore approved in society. Prince S. was a distinguished man, he had money, and his future wife was devoted to him; what more could be desired? Lizabetha Prokofievna had felt less anxious about this daughter, however, although she considered her artistic tastes suspicious. But to make up for them she was, as her mother expressed it, “merry,” and had plenty of “common-sense.” It was Aglaya’s future which disturbed her most. With regard to her eldest daughter, Alexandra, the mother never quite knew whether there was cause for anxiety or not. Sometimes she felt as if there was nothing to be expected from her. She was twenty-five now, and must be fated to be an old maid, and “with such beauty, too!” The mother spent whole nights in weeping and lamenting, while all the time the cause of her grief slumbered peacefully. “What is the matter with her? Is she a Nihilist, or simply a fool?”
Yet Aglaya had brought out these letters N. P. B. not only without the slightest appearance of irony, or even any particular accentuation, but with so even and unbroken an appearance of seriousness that assuredly anyone might have supposed that these initials were the original ones written in the ballad. The thing made an uncomfortable impression upon the prince. Of course Mrs. Epanchin saw nothing either in the change of initials or in the insinuation embodied therein. General Epanchin only knew that there was a recitation of verses going on, and took no further interest in the matter. Of the rest of the audience, many had understood the allusion and wondered both at the daring of the lady and at the motive underlying it, but tried to show no sign of their feelings. But Evgenie Pavlovitch (as the prince was ready to wager) both comprehended and tried his best to show that he comprehended; his smile was too mocking to leave any doubt on that point.
“Of course, you don’t know all; but, I assure you, you needn’t be afraid, it won’t be like that in our case. There are circumstances,” said Gania, rather excitedly. “And as to her answer to me, there’s no doubt about that. Why should you suppose she will refuse me?”
“But I will, I _will_ run away!” she cried--and her eyes flashed again with anger--“and if you don’t agree I shall go and marry Gavrila Ardalionovitch! I won’t be considered a horrible girl, and accused of goodness knows what.”
“Why so? why so? Because I envy you, eh? You always think that, I know. But do you know why I am saying all this? Look here! I must have some more champagne--pour me out some, Keller, will you?”

She went on her knees before him--there in the open road--like a madwoman. He retreated a step, but she caught his hand and kissed it, and, just as in his dream, the tears were sparkling on her long, beautiful lashes.

The Rogojin gang followed their leader and Nastasia Philipovna to the entrance-hall, laughing and shouting and whistling.
“You seem to be a little feverish tonight,” said the actress.

“Oh, it’s nothing. I haven’t slept, that’s all, and I’m rather tired. I--we certainly did talk about you, Aglaya.”

“Well, I’m afraid of you. You shudder and tremble so. We’ll pass the night here together. There are no other beds besides that one; but I’ve thought how we’ll manage. I’ll take the cushions off all the sofas, and lay them down on the floor, up against the curtain here--for you and me--so that we shall be together. For if they come in and look about now, you know, they’ll find her, and carry her away, and they’ll be asking me questions, and I shall say I did it, and then they’ll take me away, too, don’t you see? So let her lie close to us--close to you and me. “Do you see those brightly-lighted windows?” said the general. “Many of my old comrades-in-arms live about here, and I, who served longer, and suffered more than any of them, am walking on foot to the house of a woman of rather questionable reputation! A man, look you, who has thirteen bullets on his breast!... You don’t believe it? Well, I can assure you it was entirely on my account that Pirogoff telegraphed to Paris, and left Sebastopol at the greatest risk during the siege. Nelaton, the Tuileries surgeon, demanded a safe conduct, in the name of science, into the besieged city in order to attend my wounds. The government knows all about it. ‘That’s the Ivolgin with thirteen bullets in him!’ That’s how they speak of me.... Do you see that house, prince? One of my old friends lives on the first floor, with his large family. In this and five other houses, three overlooking Nevsky, two in the Morskaya, are all that remain of my personal friends. Nina Alexandrovna gave them up long ago, but I keep in touch with them still... I may say I find refreshment in this little coterie, in thus meeting my old acquaintances and subordinates, who worship me still, in spite of all. General Sokolovitch (by the way, I have not called on him lately, or seen Anna Fedorovna)... You know, my dear prince, when a person does not receive company himself, he gives up going to other people’s houses involuntarily. And yet... well... you look as if you didn’t believe me.... Well now, why should I not present the son of my old friend and companion to this delightful family--General Ivolgin and Prince Muishkin? You will see a lovely girl--what am I saying--a lovely girl? No, indeed, two, three! Ornaments of this city and of society: beauty, education, culture--the woman question--poetry--everything! Added to which is the fact that each one will have a dot of at least eighty thousand roubles. No bad thing, eh?... In a word I absolutely must introduce you to them: it is a duty, an obligation. General Ivolgin and Prince Muishkin. Tableau!” “Prince, be so kind as to come to me for a moment in the drawing-room,” said Nina Alexandrovna herself, appearing at the door. But the prince’s mental perturbation increased every moment. He wandered about the park, looking absently around him, and paused in astonishment when he suddenly found himself in the empty space with the rows of chairs round it, near the Vauxhall. The look of the place struck him as dreadful now: so he turned round and went by the path which he had followed with the Epanchins on the way to the band, until he reached the green bench which Aglaya had pointed out for their rendezvous. He sat down on it and suddenly burst into a loud fit of laughter, immediately followed by a feeling of irritation. His disturbance of mind continued; he felt that he must go away somewhere, anywhere.
“Well, you have no right, you have no right, no right at all!... Your friends indeed!”... gabbled Burdovsky, defiantly examining the faces round him, and becoming more and more excited. “You have no right!...” As he ended thus abruptly, he leant forward, staring at the prince with his short-sighted, bloodshot eyes. The latter was so astonished, that he did not reply, but looked steadily at him in return.
“I can just see there’s a bed--”
On the third day there was no talk of him at all, until Aglaya remarked at dinner: “Mamma is cross because the prince hasn’t turned up,” to which the general replied that it was not his fault.
The explanation was finished; Hippolyte paused at last.

“Most undoubtedly, excellent prince, you have hit it--that is the very question. How wonderfully you express the exact situation in a few words!”

“He has astonished me,” said Ivan Fedorovitch. “I nearly fell down with surprise. I could hardly believe my eyes when I met him in Petersburg just now. Why this haste? That’s what I want to know. He has always said himself that there is no need to break windows.”
“Oh! do be quiet! You must be drunk! He has taken it into his head to play the lawyer, prince, and he practices speechifying, and is always repeating his eloquent pleadings to his children. And who do you think was his last client? An old woman who had been robbed of five hundred roubles, her all, by some rogue of a usurer, besought him to take up her case, instead of which he defended the usurer himself, a Jew named Zeidler, because this Jew promised to give him fifty roubles....”
Prince S. paused, as though unwilling to continue talking about Nastasia Philipovna.
At the same time his grasp of things in general soon showed Totski that he now had to deal with a being who was outside the pale of the ordinary rules of traditional behaviour, and who would not only threaten mischief but would undoubtedly carry it out, and stop for no one.
“H’m! she is as stupid as a fool! A veritable ‘wet hen’! Nothing excites her; and yet she is not happy; some days it makes one miserable only to look at her! Why is she unhappy, I wonder?” At times Lizabetha Prokofievna put this question to her husband, and as usual she spoke in the threatening tone of one who demands an immediate answer. Ivan Fedorovitch would frown, shrug his shoulders, and at last give his opinion: “She needs a husband!”
“Oh, I’ll write you a new one in half a minute,” said the prince, “if you like!”
“No, Aglaya. No, I’m not crying.” The prince looked at her. “Well, Lukian Timofeyovitch, have you brought the little cupboard that you had at the head of your bed with you here?”
“I never told either him or you that I loved him!” replied Nastasia Philipovna, with an effort. “And--and I did run away from him--you are right there,” she added, scarcely audibly.

“Ferdishenko,” he said, gazing intently and inquiringly into the prince’s eyes.

Meanwhile the daylight grew full and strong; and at last the prince lay down, as though overcome by despair, and laid his face against the white, motionless face of Rogojin. His tears flowed on to Rogojin’s cheek, though he was perhaps not aware of them himself.

“Well!--and what’s the meaning of the ‘poor knight,’ eh?”

Lebedeff made a strange and very expressive grimace; he twisted about in his chair, and did something, apparently symbolical, with his hands.

“She’s a real princess! I’d sell my soul for such a princess as that!” “It was you,” he murmured, almost in a whisper, but with absolute conviction. “Yes, it was you who came to my room and sat silently on a chair at my window for a whole hour--more! It was between one and two at night; you rose and went out at about three. It was you, you! Why you should have frightened me so, why you should have wished to torment me like that, I cannot tell--but you it was.” “Ah, yes. Well, did you read it, general? It’s curious, isn’t it?” said the prince, delighted to be able to open up conversation upon an outside subject.

One of these women so despised the other, and so longed to express her contempt for her (perhaps she had only come for that very purpose, as Rogojin said next day), that howsoever fantastical was the other woman, howsoever afflicted her spirit and disturbed her understanding, no preconceived idea of hers could possibly stand up against that deadly feminine contempt of her rival. The prince felt sure that Nastasia would say nothing about the letters herself; but he could judge by her flashing eyes and the expression of her face what the thought of those letters must be costing her at this moment. He would have given half his life to prevent Aglaya from speaking of them. But Aglaya suddenly braced herself up, and seemed to master herself fully, all in an instant.

“That same evening I stopped at a small provincial hotel, and it so happened that a dreadful murder had been committed there the night before, and everybody was talking about it. Two peasants--elderly men and old friends--had had tea together there the night before, and were to occupy the same bedroom. They were not drunk but one of them had noticed for the first time that his friend possessed a silver watch which he was wearing on a chain. He was by no means a thief, and was, as peasants go, a rich man; but this watch so fascinated him that he could not restrain himself. He took a knife, and when his friend turned his back, he came up softly behind, raised his eyes to heaven, crossed himself, and saying earnestly--‘God forgive me, for Christ’s sake!’ he cut his friend’s throat like a sheep, and took the watch.”

“How? When?”

“Oh no! You see, I was half in hopes the general might find it. Because if I found it, why should not he too observe an object lying before his very eyes? I moved the chair several times so as to expose the purse to view, but the general never saw it. He is very absent just now, evidently. He talks and laughs and tells stories, and suddenly flies into a rage with me, goodness knows why.”

To a commonplace man of limited intellect, for instance, nothing is simpler than to imagine himself an original character, and to revel in that belief without the slightest misgiving.
“And how do _you_ know that he left two million and a half of roubles?” asked Rogojin, disdainfully, and not deigning so much as to look at the other. “However, it’s true enough that my father died a month ago, and that here am I returning from Pskoff, a month after, with hardly a boot to my foot. They’ve treated me like a dog! I’ve been ill of fever at Pskoff the whole time, and not a line, nor farthing of money, have I received from my mother or my confounded brother!”
So at the risk of missing General Epanchin altogether, and thus postponing his visit to Pavlofsk for a day, at least, the prince decided to go and look for the house he desired to find.
He stopped for a moment at the door; a great flush of shame came over him. “I am a coward, a wretched coward,” he said, and moved forward again; but once more he paused.
“A special case--accidental, of course!” cried Alexandra and Adelaida.
“A whole one, and in a candlestick?”
“What on earth is she afraid of, then? Tell me plainly, without any more beating about the bush,” said the prince, exasperated by the other’s mysterious grimaces.
“What is it?” asked the actress.
Nastasia seemed to Totski to have divined all this, and to be preparing something on her own account, which frightened him to such an extent that he did not dare communicate his views even to the general. But at times he would pluck up his courage and be full of hope and good spirits again, acting, in fact, as weak men do act in such circumstances.
“Of course, mamma!” said Alexandra. “But let’s have lunch now, we are all hungry!”

Aglaya blushed with pleasure. All these changes in her expression came about so naturally and so rapidly--they delighted the prince; he watched her, and laughed.

“It is my mother’s. You get to her apartments by that passage.”

“I confess I came here with an object. I wished to persuade Nastasia to go abroad for her health; she requires it. Both mind and body need a change badly. I did not intend to take her abroad myself. I was going to arrange for her to go without me. Now I tell you honestly, Parfen, if it is true that all is made up between you, I will not so much as set eyes upon her, and I will never even come to see you again.

Parfen Rogojin opened the door himself.