The day after these scandalous events, however, the prince had the honour of receiving a visit from Adelaida and her fiance, Prince S. They came, ostensibly, to inquire after his health. They had wandered out for a walk, and called in “by accident,” and talked for almost the whole of the time they were with him about a certain most lovely tree in the park, which Adelaida had set her heart upon for a picture. This, and a little amiable conversation on Prince S.’s part, occupied the time, and not a word was said about last evening’s episodes. At length Adelaida burst out laughing, apologized, and explained that they had come incognito; from which, and from the circumstance that they said nothing about the prince’s either walking back with them or coming to see them later on, the latter inferred that he was in Mrs. Epanchin’s black books. Adelaida mentioned a watercolour that she would much like to show him, and explained that she would either send it by Colia, or bring it herself the next day--which to the prince seemed very suggestive.
“Yes, here in my chest. I received them at the siege of Kars, and I feel them in bad weather now. And as to the third of our trio, Epanchin, of course after that little affair with the poodle in the railway carriage, it was all _up_ between us.”
“And just fancy, this infamy pleased them, all of them, nearly. Only the children had altered--for then they were all on my side and had learned to love Marie.
“Oh! then you did come ‘to fight,’ I may conclude? Dear me!--and I thought you were cleverer--”

“H’m! why must you needs go up and change your coat like that?” asked the prince, banging the table with his fist, in annoyance.

He laughed again.
“Where have you dropped from?” cried the prince.
“That is probably when they fire from a long distance.”
“Nastasia Philipovna!” began the general, reproachfully. He was beginning to put his own interpretation on the affair.
“A certain person is very friendly with her, and intends to visit her pretty often.”
“I tell you, sir, he wished it himself!” It was seven in the evening, and the prince was just preparing to go out for a walk in the park, when suddenly Mrs. Epanchin appeared on the terrace.
“I read that last most praiseworthy thought in my manual, when I was twelve years old,” said Aglaya.
“You have not quite understood,” she said. “I did not come to quarrel with you, though I do not like you. I came to speak to you as... as one human being to another. I came with my mind made up as to what I had to say to you, and I shall not change my intention, although you may misunderstand me. So much the worse for you, not for myself! I wished to reply to all you have written to me and to reply personally, because I think that is the more convenient way. Listen to my reply to all your letters. I began to be sorry for Prince Lef Nicolaievitch on the very day I made his acquaintance, and when I heard--afterwards--of all that took place at your house in the evening, I was sorry for him because he was such a simple-minded man, and because he, in the simplicity of his soul, believed that he could be happy with a woman of your character. What I feared actually took place; you could not love him, you tortured him, and threw him over. You could not love him because you are too proud--no, not proud, that is an error; because you are too vain--no, not quite that either; too self-loving; you are self-loving to madness. Your letters to me are a proof of it. You could not love so simple a soul as his, and perhaps in your heart you despised him and laughed at him. All you could love was your shame and the perpetual thought that you were disgraced and insulted. If you were less shameful, or had no cause at all for shame, you would be still more unhappy than you are now.”
“Oh! but that’s all I have,” said the prince, taking it. He had attained his end. The prince left the house beside himself with terror.
“Oh, _that’s_ all the same! The chief thing is that she wants to see you after six months’ absence. Look here, Gania, this is a _serious_ business. Don’t swagger again and lose the game--play carefully, but don’t funk, do you understand? As if she could possibly avoid seeing what I have been working for all this last six months! And just imagine, I was there this morning and not a word of this! I was there, you know, on the sly. The old lady did not know, or she would have kicked me out. I ran some risk for you, you see. I did so want to find out, at all hazards.”

He hid his face in his hands.

He could remember that Vera brought him some dinner, and that he took it; but whether he slept after dinner, or no, he could not recollect. “That has been seen already,” continued Lebedeff, not deigning to notice the interruption. “Malthus was a friend of humanity, but, with ill-founded moral principles, the friend of humanity is the devourer of humanity, without mentioning his pride; for, touch the vanity of one of these numberless philanthropists, and to avenge his self-esteem, he will be ready at once to set fire to the whole globe; and to tell the truth, we are all more or less like that. I, perhaps, might be the first to set a light to the fuel, and then run away. But, again, I must repeat, that is not the question.”

“Yes, it is serious for a poor man who lives by his toil.”

“What on earth is the matter with the boy? What phenomenal feeble-mindedness!” exclaimed Ferdishenko. As to the girls, nothing was said openly, at all events; and probably very little in private. They were proud damsels, and were not always perfectly confidential even among themselves. But they understood each other thoroughly at the first word on all occasions; very often at the first glance, so that there was no need of much talking as a rule.
“Let’s play at some game!” suggested the actress.
“Suddenly I heard behind me, and about on a level with my head, a sort of rattling sound. I turned sharp round and saw that the brute had crawled up the wall as high as the level of my face, and that its horrible tail, which was moving incredibly fast from side to side, was actually touching my hair! I jumped up--and it disappeared. I did not dare lie down on my bed for fear it should creep under my pillow. My mother came into the room, and some friends of hers. They began to hunt for the reptile and were more composed than I was; they did not seem to be afraid of it. But they did not understand as I did.

Burdovsky alone sat silent and motionless.

The guests exchanged glances; they were annoyed and bewildered by the episode; but it was clear enough that all this had been pre-arranged and expected by Nastasia Philipovna, and that there was no use in trying to stop her now--for she was little short of insane.

“No,” said the prince, “no, I do not love her. Oh! if you only knew with what horror I recall the time I spent with her!”

“No--no, impossible!” said Evgenie, rising. “I cannot boast of any such knowledge, of course, but I wished to know your name.”
He wished to add that he was unworthy of being asked for forgiveness by her, but paused. Perhaps he did understand Aglaya’s sentence about “absurdity which meant nothing,” and like the strange fellow that he was, rejoiced in the words.

The prince could not doubt the sincerity of his agitation. He understood, too, that the old man had left the room intoxicated with his own success. The general belonged to that class of liars, who, in spite of their transports of lying, invariably suspect that they are not believed. On this occasion, when he recovered from his exaltation, he would probably suspect Muishkin of pitying him, and feel insulted.

“Ah! Lef Nicolaievitch, it’s you, is it? Where are you off to now?” he asked, oblivious of the fact that the prince had not showed the least sign of moving. “Come along with me; I want to say a word or two to you.”

“Not at all!” said the prince, blushing. “I was only going to say that you--not that you could not be like Gleboff--but that you would have been more like--”
A couple of weeks went by, and suddenly the general and his wife were once more gloomy and silent, and the ice was as firm as ever. The fact was, the general, who had heard first, how Nastasia Philipovna had fled to Moscow and had been discovered there by Rogojin; that she had then disappeared once more, and been found again by Rogojin, and how after that she had almost promised to marry him, now received news that she had once more disappeared, almost on the very day fixed for her wedding, flying somewhere into the interior of Russia this time, and that Prince Muishkin had left all his affairs in the hands of Salaskin and disappeared also--but whether he was with Nastasia, or had only set off in search of her, was unknown.
“Yes, especially this kind.”

Rogojin’s troop, who were only waiting for an excuse, set up a howl at this. Lebedeff stepped forward and whispered something in Parfen’s ear.

They all laughed, and the thought crossed the prince’s mind that perhaps Lebedeff was really trifling in this way because he foresaw inconvenient questions, and wanted to gain time.
“Oh! do stop--you are too absurd!”

Of course nobody knew what Rogojin meant by this; but his words made a deep impression upon all. Everyone seemed to see in a flash the same idea.

Aglaya did not so much as glance at the new arrivals, but went on with her recitation, gazing at the prince the while in an affected manner, and at him alone. It was clear to him that she was doing all this with some special object.
“Surely there must be someone among all of you here who will turn this shameless creature out of the room?” cried Varia, suddenly. She was shaking and trembling with rage.
“It’s a present from herself to him,” said Varia; “the question is to be finally decided this evening.”
“What’s the good of tormenting him like this?” cried the prince.
But on this occasion there was something more serious than usual. Everyone seemed to know something, but to be afraid to talk about it.
“I know that there were just as many, and just as terrible, crimes before our times. Not long since I visited a convict prison and made acquaintance with some of the criminals. There were some even more dreadful criminals than this one we have been speaking of--men who have murdered a dozen of their fellow-creatures, and feel no remorse whatever. But what I especially noticed was this, that the very most hopeless and remorseless murderer--however hardened a criminal he may be--still _knows that he is a criminal_; that is, he is conscious that he has acted wickedly, though he may feel no remorse whatever. And they were all like this. Those of whom Evgenie Pavlovitch has spoken, do not admit that they are criminals at all; they think they had a right to do what they did, and that they were even doing a good deed, perhaps. I consider there is the greatest difference between the two cases. And recollect--it was a _youth_, at the particular age which is most helplessly susceptible to the distortion of ideas!”
She paused a moment as though getting breath, or trying to master her feeling of annoyance.
The fact that the prince confirmed her idea, about Hippolyte shooting himself that she might read his confession, surprised her greatly.
But Dr. Schneider frowns ever more and more and shakes his head; he hints that the brain is fatally injured; he does not as yet declare that his patient is incurable, but he allows himself to express the gravest fears. “Well, let me at least embrace you and say goodbye, you strange fellow!” cried the prince, looking with gentle reproach at Rogojin, and advancing towards him. But the latter had hardly raised his arms when he dropped them again. He could not make up his mind to it; he turned away from the prince in order to avoid looking at him. He could not embrace him.

“Yes, it’s a droll situation; I really don’t know what advice to give you,” replied Evgenie, laughing. Hippolyte gazed steadfastly at him, but said nothing. To look at him one might have supposed that he was unconscious at intervals.

“And why not? Why, the last time I simply told straight off about how I stole three roubles.”
“Well, this strange circumstance--which I have described with so much detail--was the ultimate cause which led me to taking my final determination. So that no logic, or logical deductions, had anything to do with my resolve;--it was simply a matter of disgust.
Gania was evidently much alarmed at the idea that the prince would not consent to take his note, and he looked at him now with an expression of absolute entreaty.

She laughed, but she was rather angry too.

Arrived home again, the prince sent for Vera Lebedeff and told her as much as was necessary, in order to relieve her mind, for she had been in a dreadful state of anxiety since she had missed the letter. She heard with horror that her father had taken it. Muishkin learned from her that she had on several occasions performed secret missions both for Aglaya and for Rogojin, without, however, having had the slightest idea that in so doing she might injure the prince in any way.

“I won’t show it to anyone,” said the prince.

“I continued in that strain for a long while, pointing out to Bachmatoff how impossible it is to follow up the effects of any isolated good deed one may do, in all its influences and subtle workings upon the heart and after-actions of others.

Aglaya stamped her foot, and grew quite pale with anger.

“Did you get my hedgehog?” she inquired, firmly and almost angrily.

The prince was much astonished that Evgenie Pavlovitch changed his mind, and took his departure without the conversation he had requested.
The prince walked along, musing. He did not like his commission, and disliked the idea of Gania sending a note to Aglaya at all; but when he was two rooms distant from the drawing-room, where they all were, he stopped as though recalling something; went to the window, nearer the light, and began to examine the portrait in his hand.
“What! didn’t I tell you? Ha, ha, ha! I thought I had. Why, I received a letter, you know, to be handed over--”

“If you were there yourself you must have known that I was _not_ there!”

“Orphans, poor orphans!” he began in a pathetic voice.
“Not much.”
“Is it a note?”
Nastasia Philipovna, who up to now had been walking along as though she had not noticed the Epanchin party, suddenly turned her head in their direction, as though she had just observed Evgenie Pavlovitch sitting there for the first time.
“I really think I must have seen him somewhere!” she murmured seriously enough.

“When I arose to lock the door after him, I suddenly called to mind a picture I had noticed at Rogojin’s in one of his gloomiest rooms, over the door. He had pointed it out to me himself as we walked past it, and I believe I must have stood a good five minutes in front of it. There was nothing artistic about it, but the picture made me feel strangely uncomfortable. It represented Christ just taken down from the cross. It seems to me that painters as a rule represent the Saviour, both on the cross and taken down from it, with great beauty still upon His face. This marvellous beauty they strive to preserve even in His moments of deepest agony and passion. But there was no such beauty in Rogojin’s picture. This was the presentment of a poor mangled body which had evidently suffered unbearable anguish even before its crucifixion, full of wounds and bruises, marks of the violence of soldiers and people, and of the bitterness of the moment when He had fallen with the cross--all this combined with the anguish of the actual crucifixion.